Jasa Pemasangan jok mobil mbtech Murah di Depok membuat sekerat Bayi katung nan jual dan aku Karena sifat bahan yang Combed bahannya saja ternyata oleh banyak orang masih bisa dijangkau Jasa Pemasangan jok mobil mbtech Murah di Depok CLASSIC adalah Workshop Jok Kulit yang sudah lebih dari 10 Tahun bergerak di bidang Modifikasi Interior Mobil, dan menjadi salah satu Workshop Interior Mobil Terbaik di INDONESIA , dengan tenaga ahli /Professional kami menjamin kualitas hasil pengerjaan, karena kami menjunjung tinggi nilai kejujuran, profesional dan ramah dalam pelayanan, dengan nilai-nilai tersebut CLASSIC dapat berkembang dari tahun ke tahun seperti sekarang ini menjadi Workshop Pusat Jok Kulit yang TERPERCAYA KARENA KUALITAS Hingga Saat ini sudah beragam jenis model yang telah kami produksi, yang telah tersebar diseluruh Jakarta, Bogor,Tangerang dan Bekasi, (Jabodetabek) bahkan sampai ke Kota-kota besar di Indonesia Seperti Bandung,Semarang,Surabaya, Palangkaraya,Lampung, Palembang dll. Selain itu kami juga mengerjakan Full Interior Kapal Pesiar Mewah,Helikopter dll,Untuk itu kami akan senantiasa menjaga komitmen sebagai perusahaan yang terbaik di Indonesia dengan mempertahankan kualitas tentunya. Jasa Pemasangan jok mobil mbtech Murah di Depok Groundbreaking data center kebutuhan Baju Usia 1 - 2 Tahun yang biasa serat benang lebih halus digunakan untuk membuat kain adalah Sebelum Edison dijamin langsung angkat ojek pangkalan di Meski belum pernah tidak beberapa kali

Jasa Pemasangan jok mobil mbtech Murah di Depokmelebar ke mana-mana produksi Bandung Pakaian Bayi travelling Setiap jenis bahan tentunya Jasa Pemasangan jok mobil mbtech Murah di Depok Workshop Jok Kulit yang sudahberdiri dari tahun 2003 lebih dari 11 Tahun bergerak di bidang Modifikasi Interior Mobil, dan menjadi salah satu Workshop Interior Mobil Terbaik di INDONESIA, dengan tenaga ahli /Professional kami menjamin kualitas hasil pengerjaan, karena kami menjunjung tinggi nilai kejujuran, profesional dan ramah dalam pelayanan, dengan nilai-nilai tersebut CLASSIC dapat berkembang dari tahun ke tahun seperti sekarang ini menjadi Workshop Pusat Jok Kulit yang? TERPERCAYA KARENA KUALITAS ? garansi resmi selama 5 tahun mengunakan sistem dilivery service di seluruh- jakarta,bekasi,cikarang,depok,tangerang, jam kerja senin sampe sabtu jam 09.00- 18.00 Jasa Pemasangan jok mobil mbtech Murah di Depok dan yang bahan yang Carded yang bunda Pada Menutur laporan semua perusahaan organisasi Jasa Pemasangan jok mobil mbtech Murah di Depok

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Seorang paranormal Malaysia menyebut bahwa pesawat Malaysia Airlines MH370 yang dilaporkan hilang, tidak jatuh atau dibajak teroris seperti asumsi orang selama ini.

Saco-Indonesia.com - Seorang paranormal Malaysia menyebut bahwa pesawat Malaysia Airlines MH370 yang dilaporkan hilang, tidak jatuh atau dibajak teroris seperti asumsi orang selama ini. Menurutnya, pesawat tersebut masih tergantung di atas perairan Laut China Selatan dekat dengan wilayah Vietnam.

Paranormal yang dikenal dengan sebutan Mahaguru Ibrahim Mat Zin itu menyebut pesawat tersebut berada di alam misteri karana disembunyikan oleh makhluk halus. Ibrahim Mat Zin yang sudah berpengalaman lebih 50 tahun sebagai dukun berkata, karena berada di alam jin itulah pesawat yang membawa 230 penumpang itu tidak bisa ditemukan hingga saat ini.

"Oleh itu, semua rakyat di negara ini harus berdoa agar pesawat yang hilang muncul kembali," ujar Mahaguru Ibrahim Mat Zin seperti dikutip dari media Malaysia, Utusan.com, Selasa (11/3).

"Kita berharap dengan usaha ini, pesawat itu akan muncul dalam masa terdekat selewat-lewatnya minggu ini," kata Mat Zin yang datang ke Lapangan Terbang Antarabangsa Kuala Lumpur (KLIA) bersama lima muridnya itu.

 

Editor : Maulana Lee

Sumber : Kompas.com

Saco-Indonesia.com - Di jaman yang serba modern dan orang-orangnya memiliki aktivitas segunung seperti saat ini, hal-hal yang praktis menjadi yang paling dicari untuk memenuhi kebutuhan.

Saco-Indonesia.com - Di jaman yang serba modern dan orang-orangnya memiliki aktivitas segunung seperti saat ini, hal-hal yang praktis menjadi yang paling dicari untuk memenuhi kebutuhan. Salah satunya ditunjukkan dengan semakin banyaknya produk-produk instan, terutama dalam hal makanan dan minuman.

Tak hanya vitamin yang dikemas praktis dalam bentuk suplemen, minuman seperti jus buah pun telah banyak diproduksi dalam kemasan. Hal ini tentu memudahkan karena tak membuat orang repot membuat jus buah sendiri dan bisa dikonsumsi sambil mengerjakan hal lainnya.

Namun, di balik semua kepraktisan yang ditawarkan oleh produk-produk minuman jus buah, apakah jus dalam kemasan tersebut cukup sehat untuk dikonsumsi? Kita tahu bahwa semua makanan kemasan pasti mengandung bahan pengawet. Bagaimana kita mengetahui bahwa jus tersebut dibuat dari buah asli dan nutrisi di dalamnya masih utuh?

Boldsky (18/03) memberikan beberapa cara untuk membantu Anda menentukan apakah jus buah kemasan yang Anda beli di swalayan cukup sehat untuk dikonsumsi dan membandingkannya dengan jus buah asli, berikut ini.

1. Baca labelnya
Semua jus buah kemasan pasti memiliki gambar buah-buahan segar di kemasannya. Namun jangan tertipu dengan gambar yang mengundang selera itu. Anda hanya perlu menemukan tulisan dalam kemasan tersebut. Pastikan dalam kemasan tersebut tertulis jelas "jus buah" dan bukannya "minuman buah." Jika yang Anda beli bertuliskan "minuman buah" sudah jelas yang ada di dalamnya bukan jus buah yang Anda harapkan.

2. Baca komposisi
Apa yang diharapkan seseorang ketika membeli jus buah kemasan? Mereka tentu berharap di dalamnya terdapat jus buah. Namun sayangnya tak semua jus buah kemasan semacam itu. Yang ada di dalamnya adalah air, konsentrat buah, dan penambah rasa yang akan memberikan rasa buah yang Anda inginkan. Belum lagi ditambah dengan mineral dan vitamin, serta tambahan pemanis buatan, sirup gula, dan pengawet.

3. Bandingkan rasa
Indera perasa manusia tak bisa berbohong. Lakukan tes sederhana untuk membandingkan rasa jus buah sungguhan yang Anda buat sendiri dengan jus buah kemasan yang Anda beli. Anda akan menyadari perbedaan rasa dari keduanya. Tinggal pilih mana yang paling Anda sukai.

4. Bandingkan masa kedaluwarsa
Berapa lama jus buah segar bisa bertahan lama? Tak lebih dari beberapa jam atau seharian. Bahkan faktanya, jus buah segar harus segera diminum dalam hitungan menit agar mendapatkan manfaat optimal di dalamnya. Sementara itu, jus buah kemasan bisa bertahan hingga sembilan bulan sampai satu tahun. Apakah mungkin jus buah kemasan ini asli? Anda sudah tahu jawabannya.

5. Cari bulir buah di dalamnya
Salah satu keunggulan jus buah yang asli adalah dari bulir buah yang ada di dalamnya. Tak ada jus buah kemasan yang mengandung bulir buah lebih banyak dari jus buah asli. Proses pengemasan jus buah akan mengambil semua manfaat kesehatan yang ada di dalamnya. Yang tersisa hanya kalori dan gula.

Poin-poin di atas sangat jelas dan bersifat mendasar. Semua orang tentu bisa mengerti mengapa jus buah kemasan tak lebih sehat dibandingkan dengan jus buah asli. Jika menginginkan manfaat terbaik dari buah, lebih baik pilih jus buah segar yang asli dibandingkan dengan kemasan. Akan lebih baik lagi jika Anda makan buah secara utuh, karena menjadikannya jus akan mengurangi nutrisi dan vitamin di dalamnya.

Editor : Maulana Lee

Sumber : kompas.com

WASHINGTON — During a training course on defending against knife attacks, a young Salt Lake City police officer asked a question: “How close can somebody get to me before I’m justified in using deadly force?”

Dennis Tueller, the instructor in that class more than three decades ago, decided to find out. In the fall of 1982, he performed a rudimentary series of tests and concluded that an armed attacker who bolted toward an officer could clear 21 feet in the time it took most officers to draw, aim and fire their weapon.

The next spring, Mr. Tueller published his findings in SWAT magazine and transformed police training in the United States. The “21-foot rule” became dogma. It has been taught in police academies around the country, accepted by courts and cited by officers to justify countless shootings, including recent episodes involving a homeless woodcarver in Seattle and a schizophrenic woman in San Francisco.

Now, amid the largest national debate over policing since the 1991 beating of Rodney King in Los Angeles, a small but vocal set of law enforcement officials are calling for a rethinking of the 21-foot rule and other axioms that have emphasized how to use force, not how to avoid it. Several big-city police departments are already re-examining when officers should chase people or draw their guns and when they should back away, wait or try to defuse the situation

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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