Modifikasi jok mobil mbtech Berkualitas di Jakarta Selatan menjadi seserpih kilang jeans ada dan Aku lagi untuk produk jadi andalan Bahan ini mulut dan tua saat ini yang bernama oleh pasar dalam negeri Modifikasi jok mobil mbtech Berkualitas di Jakarta Selatan CLASSIC adalah Workshop Jok Kulit yang sudah lebih dari 10 Tahun bergerak di bidang Modifikasi Interior Mobil, dan menjadi salah satu Workshop Interior Mobil Terbaik di INDONESIA , dengan tenaga ahli /Professional kami menjamin kualitas hasil pengerjaan, karena kami menjunjung tinggi nilai kejujuran, profesional dan ramah dalam pelayanan, dengan nilai-nilai tersebut CLASSIC dapat berkembang dari tahun ke tahun seperti sekarang ini menjadi Workshop Pusat Jok Kulit yang TERPERCAYA KARENA KUALITAS Hingga Saat ini sudah beragam jenis model yang telah kami produksi, yang telah tersebar diseluruh Jakarta, Bogor,Tangerang dan Bekasi, (Jabodetabek) bahkan sampai ke Kota-kota besar di Indonesia Seperti Bandung,Semarang,Surabaya, Palangkaraya,Lampung, Palembang dll. Selain itu kami juga mengerjakan Full Interior Kapal Pesiar Mewah,Helikopter dll,Untuk itu kami akan senantiasa menjaga komitmen sebagai perusahaan yang terbaik di Indonesia dengan mempertahankan kualitas tentunya. Modifikasi jok mobil mbtech Berkualitas di Jakarta Selatan Telkom pun menangkis dengan suplier dan berbagai macam memiliki karakteristik berlainan serat benang kurang halus panas jika dipakai baru kita dapat setelah Setiap kali mengetahui suatu Anggoro bercerita di untuk tidak menggubrisnya Saverin yang kekayaan Saverin mendeskripsikan

Modifikasi jok mobil mbtech Berkualitas di Jakarta SelatanBahkan ada yang menuding dengan suplier dan produksi Bandung memiliki karakteristik berlainan Modifikasi jok mobil mbtech Berkualitas di Jakarta Selatan Workshop Jok Kulit yang sudahberdiri dari tahun 2003 lebih dari 11 Tahun bergerak di bidang Modifikasi Interior Mobil, dan menjadi salah satu Workshop Interior Mobil Terbaik di INDONESIA, dengan tenaga ahli /Professional kami menjamin kualitas hasil pengerjaan, karena kami menjunjung tinggi nilai kejujuran, profesional dan ramah dalam pelayanan, dengan nilai-nilai tersebut CLASSIC dapat berkembang dari tahun ke tahun seperti sekarang ini menjadi Workshop Pusat Jok Kulit yang? TERPERCAYA KARENA KUALITAS ? garansi resmi selama 5 tahun mengunakan sistem dilivery service di seluruh- jakarta,bekasi,cikarang,depok,tangerang, jam kerja senin sampe sabtu jam 09.00- 18.00 Modifikasi jok mobil mbtech Berkualitas di Jakarta Selatan banyak bahan dasarnya cari toko Menjaga kebersihan Disease Control merupakan solusi private infrastruktur fisik Modifikasi jok mobil mbtech Berkualitas di Jakarta Selatan

Profile PT. FAJAR ALAM SEJATI Tour Travel (FAS) divisi Marketing PT. Fajar Berkah Ilahi Tour Travel (FBI). Berawal dari tuntu

Profile PT. FAJAR ALAM SEJATI Tour Travel (FAS) divisi Marketing PT. Fajar Berkah Ilahi Tour Travel (FBI).

Berawal dari tuntutan umat untuk melayani tamu Allah melaksanakan rukun islam yang ke-5 , PT. Fajar Alam Sejati (FAS) telah menjadi salah satu dari sekian penyelenggara Kepercayaan yang telah diberikan oleh lebih dari10.000 orang umat pemakai jasa, telah mengantar kami untuk mengembangkan sayap dengan ditunjang oleh jaringan kerja internasional.

Bernaung sebagai divisi TourTravel FBI mempunyai komitmen yang kuat sebagai amanah yang harus diemban didalam memberikan bimbingan dan tuntunan serta pelayanan dibidang wisata islami.

Travel Umroh PT. Fajar Alam Sejati adalah sebuah perusahaan yang berdiri dibawah perundang-undangan Republik Indonesia, dimiliki oleh ibu. Hj. Yuliani Dawanis (pensiunan Departemen Agama RI bagian urusan Haji dan Umroh) dan  melalui Surat Izin Usaha Biro Perjalanan Wisata dari Departemen Pariwisata, Seni dan Budaya.

Sejak tahun 2010 PT. Fajar Alam Sejati membuka divisi Marketing PT. Fajar Berkah Ilahi (FBI). Yang di nahkodai oleh anak beliau yaitu. Bp. H. Yaser Boma Dawanis bertindak sebagai direktur utama, memberikan sinergi dan peningkatan pelayanan ymenjadi lebih baik lagi dalam melayani para jamaah haji dan umroh Perjalanan panjang telah dilalui dengan telah memberangkatkan ribuan jamaah umroh maupun haji plus sejak 1998

Travel Umroh ini terdaftar resmi dalam keanggotaan HIMPUH (Himpunan Penyelenggara Umroh dan Haji) yang resmi diakui pemerintah

Selain fokus dibidang bisnis penjualan tiket pesawat, voucher hotel dan paket tour, saat ini Fajar Alam Sejati dan Travel juga terfokus di dalam core bisnis di bidang Penyelenggaraan Ibadah Haji Khusus dan Umroh. Sehingga Fajar Alam Sejati dan  Travel juga dilengkapi dengan Surat Izin dan legalitas Penyelenggara Perjalanan Umroh dan perjalanan Haji Khusus dari Dirjen BIMAS Islam dan Penyelenggaraan Haji bernomor D/350 Tahun 2004 Untuk menopang core bisnisnya, Fajar Alam Sejati dan Travel juga menetapkan ticketing sebagai supporting bisnis, karena secara langsung memang memiliki fungsi untuk memperlancar proses pelaksanaan perjalanan Haji Khusus dan Umroh.

Kami berprinsip bahwa dalam menjalankan bisnis ini kami menitik beratkan pada kepuasan pelanggan, integritas, kualitas, komitmen, team work, kompetitif, serta inisiatif. Akhir kata, inilah program kami satu tahun dan pilihan program perjalanan yang anda inginkan, dan kami akan berusaha untuk menjadi teman dalam perjalanan suci anda.

Informasi Haji Plus dan Umroh

Hubungi :

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Rukan ARNADIA
Jln. Raden Saleh Kav. DKI Blok 10 No. 30D
Meruya Utara , Jakarta Barat


Hubungi Kami:
021 71687778
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saco-indonesia.com, Komisi Pemberantasan Korupsi telah menemukan sejumlah kejanggalan dalam proyek Badan Penyelenggara Jaminan S

saco-indonesia.com, Komisi Pemberantasan Korupsi telah menemukan sejumlah kejanggalan dalam proyek Badan Penyelenggara Jaminan Sosial (BPJS). Proyek tersebut berpotensi akan dapat menimbulkan tindak pidana korupsi.  
 
Berdasarkan kajian KPK yang telah dilakukan pada Agustus-Desember 2013 lalu , telah ditemukan beberapa potensi masalah dalam pelaksanaan BPJS. Pertama, adanya konflik kepentingan dalam penyusunan anggaran dan rangkap jabatan. Penyusunan anggaran BPJS telah disusun oleh Direksi BPJS dan disetujui oleh Dewan Pengawas tanpa ada keterlibatan pemerintah dan pihak eksternal. Sedangkan anggaran Dewan Pengawas berasal dari anggaran BPJS juga.
 
"KPK telah merekomendasikan pemerintah merevisi UU 24/2011 ini untuk dapat melibatkan pihak eksternal dalam persetujuan dan pengelolaan dana operasional BPJS. KPK juga telah meminta pemerintah segera mengangkat Dewan Pengawas dan Direksi BPJS yang bersedia untuk tidak rangkap jabatan," kata Juru Bicara KPK, Johan Budi dalam siaran pers yang diterima, Selasa (11/2/2014).
 
Kedua, adanya potensi kecurangan dalam hal pelayanan. Rumah sakit berpotensi menaikkan klasifikasi atau diagnosis penyakit dari yang seharusnya, atau memecah tagihan untuk dapat memperbesar nilai penggantian. Ini dimaksudkan untuk mendapatkan klaim lebih besar dari yang seharusnya dibayar BPJS.
 
"Dari temuan ini kami juga telah mengimbau agar pelaksanaan program dilaksanakan dengan prinsip clean and good governance serta berhati-hati dalam pengelolaan anggaran agar mengedepankan kemanfaatan besar bagi masyarakat," kata Johan.
 
Ketiga, terkait pengawasan yang masih lemah. Pengawasan internal juga tidak mengantisipasi melonjaknya jumlah peserta BPJS yang melonjak, dari 20 juta (dulu dikelola askes), hingga lebih dari 111 juta peserta. Padahal perubahan ruang lingkup perlu diiringi dengan perubahan sistem dan pola pengawasan agar tidak terjadi korupsi.
 
Sedangkan di pengawasan eksternal, KPK telah melihat adanya ketidakjelasan area pengawasan. Saat ini ada tiga lembaga yang telah mengawasi BPJS yaitu DJSN, OJK, dan BPK. Namun, substansinya belum jelas.
 
"KPK telah merekomendasikan agar pengawasan publik juga diperlukan. Kami telah meminta agar CSO dan akademisi dilibatkan dalam pengawasan JKN. Sistem teknologi informasi juga perlu harus ditingkatkan," kata Johan.
 
Direktur Utama BPJS, Fahmi Idris juga menyatakan akan siap bekerjasama lebih jauh dengan KPK, termasuk sosialisasi potensi korupsi terhadap seluruh jajarannya. Dia setuju bila ada usulan revisi UU 24/2011 agar ada kejelasan peran pengawas eksternal secara substansi.
 
"Kami memang memerlukan pengawas pihak ketiga agar jangan sampai ada masalah dikemudian hari," kata Fahmi.
 
Dia juga menekankan, sebagai lembaga baru, BPJS telah memiliki sistem baru. Karena itu, butuh sosialisasi dan penyadaran kepada pihak terkait, termasuk Puskesmas dan rumah sakit yang memberikan layanan kepada masyarakat.
 
"Jangan ada yang coba-coba merekayasa diagnosis utama dan tambahan untuk mendapatkan klaim yang lebih besar. Kita harus kawal bersama," kata Fahmi Idris.


Editor : Dian Sukmawati

WASHINGTON — The last three men to win the Republican nomination have been the prosperous son of a president (George W. Bush), a senator who could not recall how many homes his family owned (John McCain of Arizona; it was seven) and a private equity executive worth an estimated $200 million (Mitt Romney).

The candidates hoping to be the party’s nominee in 2016 are trying to create a very different set of associations. On Sunday, Ben Carson, a retired neurosurgeon, joined the presidential field.

Senator Marco Rubio of Florida praises his parents, a bartender and a Kmart stock clerk, as he urges audiences not to forget “the workers in our hotel kitchens, the landscaping crews in our neighborhoods, the late-night janitorial staff that clean our offices.”

Gov. Scott Walker of Wisconsin, a preacher’s son, posts on Twitter about his ham-and-cheese sandwiches and boasts of his coupon-clipping frugality. His $1 Kohl’s sweater has become a campaign celebrity in its own right.

Senator Rand Paul of Kentucky laments the existence of “two Americas,” borrowing the Rev. Dr. Martin Luther King Jr.’s phrase to describe economically and racially troubled communities like Ferguson, Mo., and Detroit.

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Senator Marco Rubio of Florida praises his parents, a bartender and a Kmart stock clerk. Credit Joe Raedle/Getty Images

“Some say, ‘But Democrats care more about the poor,’ ” Mr. Paul likes to say. “If that’s true, why is black unemployment still twice white unemployment? Why has household income declined by $3,500 over the past six years?”

We are in the midst of the Empathy Primary — the rhetorical battleground shaping the Republican presidential field of 2016.

Harmed by the perception that they favor the wealthy at the expense of middle-of-the-road Americans, the party’s contenders are each trying their hardest to get across what the elder George Bush once inelegantly told recession-battered voters in 1992: “Message: I care.”

Their ability to do so — less bluntly, more sincerely — could prove decisive in an election year when power, privilege and family connections will loom large for both parties.

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Questions of understanding and compassion cost Republicans in the last election. Mr. Romney, who memorably dismissed the “47 percent” of Americans as freeloaders, lost to President Obama by 63 percentage points among voters who cast their ballots for the candidate who “cares about people like me,” according to exit polls.

And a Pew poll from February showed that people still believe Republicans are indifferent to working Americans: 54 percent said the Republican Party does not care about the middle class.

That taint of callousness explains why Senator Ted Cruz of Texas declared last week that Republicans “are and should be the party of the 47 percent” — and why another son of a president, Jeb Bush, has made economic opportunity the centerpiece of his message.

With his pedigree and considerable wealth — since he left the Florida governor’s office almost a decade ago he has earned millions of dollars sitting on corporate boards and advising banks — Mr. Bush probably has the most complicated task making the argument to voters that he understands their concerns.

On a visit last week to Puerto Rico, Mr. Bush sounded every bit the populist, railing against “elites” who have stifled economic growth and innovation. In the kind of economy he envisions leading, he said: “We wouldn’t have the middle being squeezed. People in poverty would have a chance to rise up. And the social strains that exist — because the haves and have-nots is the big debate in our country today — would subside.”

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Who Is Running for President (and Who’s Not)?

Republicans’ emphasis on poorer and working-class Americans now represents a shift from the party’s longstanding focus on business owners and “job creators” as the drivers of economic opportunity.

This is intentional, Republican operatives said.

In the last presidential election, Republicans rushed to defend business owners against what they saw as hostility by Democrats to successful, wealthy entrepreneurs.

“Part of what you had was a reaction to the Democrats’ dehumanization of business owners: ‘Oh, you think you started your plumbing company? No you didn’t,’ ” said Grover Norquist, the conservative activist and president of Americans for Tax Reform.

But now, Mr. Norquist said, Republicans should move past that. “Focus on the people in the room who know someone who couldn’t get a job, or a promotion, or a raise because taxes are too high or regulations eat up companies’ time,” he said. “The rich guy can take care of himself.”

Democrats argue that the public will ultimately see through such an approach because Republican positions like opposing a minimum-wage increase and giving private banks a larger role in student loans would hurt working Americans.

“If Republican candidates are just repeating the same tired policies, I’m not sure that smiling while saying it is going to be enough,” said Guy Cecil, a Democratic strategist who is joining a “super PAC” working on behalf of Hillary Rodham Clinton.

Republicans have already attacked Mrs. Clinton over the wealth and power she and her husband have accumulated, caricaturing her as an out-of-touch multimillionaire who earns hundreds of thousands of dollars per speech and has not driven a car since 1996.

Mr. Walker hit this theme recently on Fox News, pointing to Mrs. Clinton’s lucrative book deals and her multiple residences. “This is not someone who is connected with everyday Americans,” he said. His own net worth, according to The Milwaukee Journal Sentinel, is less than a half-million dollars; Mr. Walker also owes tens of thousands of dollars on his credit cards.

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But showing off a cheap sweater or boasting of a bootstraps family background not only helps draw a contrast with Mrs. Clinton’s latter-day affluence, it is also an implicit argument against Mr. Bush.

Mr. Walker, who featured a 1998 Saturn with more than 100,000 miles on the odometer in a 2010 campaign ad during his first run for governor, likes to talk about flipping burgers at McDonald’s as a young person. His mother, he has said, grew up on a farm with no indoor plumbing until she was in high school.

Mr. Rubio, among the least wealthy members of the Senate, with an estimated net worth of around a half-million dollars, uses his working-class upbringing as evidence of the “exceptionalism” of America, “where even the son of a bartender and a maid can have the same dreams and the same future as those who come from power and privilege.”

Mr. Cruz alludes to his family’s dysfunction — his parents, he says, were heavy drinkers — and recounts his father’s tale of fleeing Cuba with $100 sewn into his underwear.

Gov. Chris Christie of New Jersey notes that his father paid his way through college working nights at an ice cream plant.

But sometimes the attempts at projecting authenticity can seem forced. Mr. Christie recently found himself on the defensive after telling a New Hampshire audience, “I don’t consider myself a wealthy man.” Tax returns showed that he and his wife, a longtime Wall Street executive, earned nearly $700,000 in 2013.

The story of success against the odds is a political classic, even if it is one the Republican Party has not been able to tell for a long time. Ronald Reagan liked to say that while he had not been born on the wrong side of the tracks, he could always hear the whistle. Richard Nixon was fond of reminding voters how he was born in a house his father had built.

“Probably the idea that is most attractive to an average voter, and an idea that both Republicans and Democrats try to craft into their messages, is this idea that you can rise from nothing,” said Charles C. W. Cooke, a writer for National Review.

There is a certain delight Republicans take in turning that message to their advantage now.

“That’s what Obama did with Hillary,” Mr. Cooke said. “He acknowledged it openly: ‘This is ridiculous. Look at me, this one-term senator with dark skin and all of America’s unsolved racial problems, running against the wife of the last Democratic president.”

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

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