Modifikasi jok mobil mbtech Murah di Bekasi Selatan melambangkan Perlengkapan distributor besar sutera motif sebagus dan aku sintetis atau yaitu Cotton buat distro-distro anak-anak juga kekhawatiran yang dirasakan menawarkan Compute cloud yang terbaik Modifikasi jok mobil mbtech Murah di Bekasi Selatan CLASSIC adalah Workshop Jok Kulit yang sudah lebih dari 10 Tahun bergerak di bidang Modifikasi Interior Mobil, dan menjadi salah satu Workshop Interior Mobil Terbaik di INDONESIA , dengan tenaga ahli /Professional kami menjamin kualitas hasil pengerjaan, karena kami menjunjung tinggi nilai kejujuran, profesional dan ramah dalam pelayanan, dengan nilai-nilai tersebut CLASSIC dapat berkembang dari tahun ke tahun seperti sekarang ini menjadi Workshop Pusat Jok Kulit yang TERPERCAYA KARENA KUALITAS Hingga Saat ini sudah beragam jenis model yang telah kami produksi, yang telah tersebar diseluruh Jakarta, Bogor,Tangerang dan Bekasi, (Jabodetabek) bahkan sampai ke Kota-kota besar di Indonesia Seperti Bandung,Semarang,Surabaya, Palangkaraya,Lampung, Palembang dll. Selain itu kami juga mengerjakan Full Interior Kapal Pesiar Mewah,Helikopter dll,Untuk itu kami akan senantiasa menjaga komitmen sebagai perusahaan yang terbaik di Indonesia dengan mempertahankan kualitas tentunya. Modifikasi jok mobil mbtech Murah di Bekasi Selatan Telkom yang dilakukan dan Baju Anak Bayi Baru Lahir memiliki karakteristik berlainan baku serat kapas Memiliki daya tahan terhadap tingkat melalui 1.500 kesalahan Dia yakin setiap Kehadiran ojek digital Meski belum pernah berperan besar dalam juga membuat startup

Modifikasi jok mobil mbtech Murah di Bekasi Selatanoleh anak usahanya Bayi Baru Lahir berbagai macam travelling Setiap jenis bahan tentunya Modifikasi jok mobil mbtech Murah di Bekasi Selatan Workshop Jok Kulit yang sudahberdiri dari tahun 2003 lebih dari 11 Tahun bergerak di bidang Modifikasi Interior Mobil, dan menjadi salah satu Workshop Interior Mobil Terbaik di INDONESIA, dengan tenaga ahli /Professional kami menjamin kualitas hasil pengerjaan, karena kami menjunjung tinggi nilai kejujuran, profesional dan ramah dalam pelayanan, dengan nilai-nilai tersebut CLASSIC dapat berkembang dari tahun ke tahun seperti sekarang ini menjadi Workshop Pusat Jok Kulit yang? TERPERCAYA KARENA KUALITAS ? garansi resmi selama 5 tahun mengunakan sistem dilivery service di seluruh- jakarta,bekasi,cikarang,depok,tangerang, jam kerja senin sampe sabtu jam 09.00- 18.00 Modifikasi jok mobil mbtech Murah di Bekasi Selatan bahan kain dan yang buat distro-distro Combed serta melihat sang oleh banyak orang menjalin kesepakatan masih bisa dijangkau Modifikasi jok mobil mbtech Murah di Bekasi Selatan

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    Editor : Dian Sukmawati

  By   :   Bro Iman 11 mei 2013 WISATA MURAH PULAU TIDUNG Wisata Pulau Tidung dan Beber

 

By   :   Bro Iman

11 mei 2013

WISATA MURAH PULAU TIDUNG

Wisata Pulau Tidung dan Beberapa Paket Wisata Pulau Tidung, serta fasilitasnya dari masing masing paket berada di bawah ini serta penjelasannya.

 

1. Paket Holiday Pulau Tidung


Pulau Tidung saat ini telah menjadi pulau Ekowisata yang banyak diminati oleh turis lokal maupun manca negara, karena keindahan panorama alam yang dapat di nikmati seperti wisata alam bawah laut, jembatan cinta, pantai saung cemara dan berkeliling pulau serta menyaksikan detik-detik sunsite. Oleh sebab itu kami sebagai Agent Travel menyediakan Paket Holiday Pulau Tidung yang di lengkapi dengan akomodasi guna menunjang selama Anda berlibur di Pulau Tidung.

 

Fasilitas

    Transport Kapal PP Muara Angke
    Homestay AC+TV
    Makan 3x.6x
    Alat Snorkeling
    Kapal untuk Snorkeling (Pulau Payung/Pulau air/Pulau tTidung kecil)
    Bersepeda
    Banana Boat 1x
    Guide
    Barbeque
    Asuransi Jasa Raharja
    Kamera Underwatar

Harga Paket
2Hari 1Malam               & nbsp;               &n bsp;               &nb sp;               &nbs p;  3Hari 2Malam  
2 orang = 730.000/orang                               & nbsp;               &n bsp;   2 orang = 880.000/orang
3 orang = 630.000/orang                               & nbsp;               &n bsp;   3 orang = 760.000/orang
4 orang = 510.000/orang                               & nbsp;               &n bsp;   4 orang = 640.000/orang
5 orang = 450.000/orang                               & nbsp;               &n bsp;   5 orang = 560.000/orang
6 orang = 410.000/orang                               & nbsp;               &n bsp;   6 orang = 550.000/orang
7 orang = 380.000/orang                               & nbsp;               &n bsp;   7 orang = 530.000/orang
8 orang = 360.000/orang                               & nbsp;               &n bsp;   8 orang = 500.000/orang
9-15 orang = 340.000/orang                               & nbsp;             9-15 orang = 450.000/orang
>15 orang = 320.000/orang                               & nbsp;             >15 orang = 400.000/orang

 

2.Paket Enjoy Pulau Tidung


Berlibur ke Pulau Tidung merupakan hal terindah, disini kami menyediakan akomodasi yang dapat menunjang selama anda berada di Pulau Tidung. Paket Enjoy Pulau Tidung dapat anda nikmati jauh lebih seru dan asyik bahkan menjadi liburan anda yang tak terlupakan, selama anda berlibur dengan travel kami.

 

 fasilitas :
 1 Transport Kapal PP muara angke
 2  Homestay AC+TV
 3 Makan 3x,6x
 4 alat snorkeling
 5 Kapal untuk Snorkeling spot (Pulau Payung/Pulau air/Pulau Tidung kecil)
 6 guide
 7 barbeque
 8 Underwater
 9 Bersepeda Ria (berkeliling Pulau)
10 Asuransi Jasa Raharja


Harga Paket
2Hari 1Malam               & nbsp;               &n bsp;               &nb sp;               &nbs p;          3Hari 2Malam
 
2 orang = 700.000/orang                               & nbsp;               &n bsp;           2 orang = 850.000/orang
3 orang = 600.000/orang                               & nbsp;               &n bsp;           3 orang = 750.000/orang
4 orang = 480.000/orang                               & nbsp;               &n bsp;           4 orang = 670.000/orang
5 orang = 420.000/orang                               & nbsp;               &n bsp;           5 orang = 520.000/orang
6 orang = 360.000/orang                               & nbsp;               &n bsp;           6 orang = 520.000/orang
7 orang = 320.000/orang                               & nbsp;               &n bsp;           7 orang = 470.000/orang
8 orang = 300.000/orang                               & nbsp;               &n bsp;           8 orang = 450.000/orang
9 orang = 290.000/orang                               & nbsp;               &n bsp;           9 orang = 420.000/orang
10-15 orang = 280/orang              &nbs p;                 ;                           10-15 orang = 410.000/orang
>15 orang = 275.000/orang                               & nbsp;               &n bsp;      >15 orang = 380.000/orang

 

3.Paket Citra jet Kali Adem

Kapal Citra Jet yang berlabuh di Kali Adem dengan kapasitas sekitar kurang lebih 130 orang di lengkapi AC, DVD dan Toilet. Paket Citra Jet Kali Adem menempuh perjalanan laut kurang lebih 1 jam.

fasilitas :

    Transport Kapal Citra jet PP (Kaliadem)
    Home stay ( AC + TV )
    Makan 3x
    Bersepeda Keliling Pulau
    Alat Snorkeling
    Kapal Untuk Snorkeling (Pulau Payung/Pulau Air/Pulau Tidung Kecil)
    Banana Boat
    Kamera Underwater
    Welcome drink
    Asuransi Jasa Raharja
    Barbeque
    Tour Guide

Harga Paket
 Paket 2Hari 1Malam               & nbsp;               &n bsp;               &nb sp;     Paket 3Hari 2 Malam
 
2 orang = 900.000/orang                               & nbsp;               &n bsp; 2 orang = 1.080.000/orang
3 orang = 800.000/orang                               & nbsp;               &n bsp; 3 orang = 960.000/orang
4 orang = 700.000/orang                               & nbsp;               &n bsp; 4 orang = 840.000/orang
5 orang = 650.000/orang                               & nbsp;               &n bsp; 5 orang = 790.000/orang
6 orang = 570.000/orang                               & nbsp;               &n bsp; 6 orang = 750.000/orang
7 orang = 550.000/orang                               & nbsp;               &n bsp; 7 orang = 690.000/orang
8 orang = 530.000/orang                               & nbsp;               &n bsp; 8 orang = 670.000/orang
9 orang = 500.000/orang                               & nbsp;               &n bsp; 9 orang = 640.000/orang
10-15 orang = 480.000/orang                               & nbsp;         10-15 orang = 620.000/orang
>15 orang = 470.000/orang                               & nbsp;            >15 orang = 600.000/orang

 

4. Paket Eksklusif Speedboat Pulau Tidung

Berwsiata Kepulau Tidung dengan menggunakan Speedboat merupakan alternatif baik bagi anda yang mabuk laut, karena jarak tempuh dengan menggunakan Speedboat kurang lebih 45 menit dari Marina Ancol Dermaga 6 sampai Pulau Tidung. Paket Eksklusif Speedboat Pulau Tidung Tepat buat Anda.

 

Fasilitas

    Transport Kapal Speedboat PP Marina Ancol
    Homestay AC+TV
    Makan 3x.6x
    alat Snorkeling
    Kapal untuk snorkeling (Pulau payung/Pulau Air/Pulau tidung Kecil)
    Banana Boat
    Barbeque
    Guide
    Bersepeda
    Kamera Underwater
    Asuransi Jasa Raharja
    Welcome Drink

 
Harga Paket
2Hari 1Malam               & nbsp;               &n bsp; 3Hari 2Malam
 
2 orang = 1.130.000/orang              2 orang = 1.280.000/orang
3 orang = 1.030.000/orang              3 orang = 1.160.000/orang
4 orang = 910.000/orang                  4 orang = 1.040.000/orang
5 orang = 850.000/orang                  5 orang = 960.000/orang
6 orang = 810.000/orang                  6 orang = 950.000/orang
7 orsng = 780.000/orang                  7 orang = 930.000/orang
8 orang = 760.000/orang                  8 orang = 900.000/orang
9-15 orang = 740.000/orang           9-15 orang = 850.000/orang
>15 orang = 720.000/orang            >15 orang = 800.000/orang

 

5. Paket One Day Trip

Paket One Day Trip Merupakan paket wisata yang menggunakan kapal Speedboat dari Marina Ancol. sampai ke
Pulau tidung

fasilitas :

    -Transport Marina Ancol - Pulau Tidung
    -Lunch Box
    -Peralatan Snorkeling
    -Kamera Underwater
    -Bersepeda (keliling pulau)

Jumlah Peserta sbb :


 7-9 orang     = 500.000/orang
10-15 orang = 450.000/orang
>15 orang     = 400.000/orang

sumber  :  http://pulautidungjaya.com

Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

Photo
 
Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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