Tips dan Cara Memilih Lampu HID Motor Yang Baik . Memiliki lampu yang berfungsi dengan baik pasti merupaka
Tips dan Cara Memilih Lampu HID Motor Yang Baik . Memiliki lampu yang berfungsi dengan baik pasti merupakan hal yang wajib dalam sebuah kendaraan terutama jika kamu juga sering melakukan perjalanan di malam hari. Pada saat ini, Lampu motor yang berjenis HID adalah lampu yang juga sangat populer digunakan, karena selain telah memiliki cahaya yang lebih terang, lampu jenis HID juga telah memiliki tampilan yang lebih menariik.
Tips dan Cara Memilih Lampu HID Yang Baik
Dalam kesempatan kali ini Inspirasi Dunia Otomotif juga akan ingin mencoba berbagi sedikit informasi kepada teman-teman OTOINS mengenai Tips dan Cara Memilih Lampu HID Yang Baik, berikut informasi lengkapnya.
Meski terkesan remeh, namun masih banyak pengguna motor yang salah kaprah saat mengaplikasi lampu HID. Salah satu kesalahan yang jamak ditemukan adalah konsumen yang telah menentukan terangnya lampu dalam satuan Kelvin.
Kebanyakan konsumen tahunya Kelvin makin besar, maka lampu lebih terang. Padahal hanya berbeda soal warna saja. Misalnya, lampu 4300 Kelvin berwarna kekuningan, sedangkan 6000 Kelvin bercahaya putih dan 8000 Kelvin biru kristal, Itu salah kaprah! Satuan Kelvin hanya untuk menentukan temperatur warna. Sedangkan satuan terang itu adalah Lumen.
satuan Kelvin itu juga tak berpengaruh dengan Lumen (Lm). Sehingga anggapan angka Kelvin tinggi yang sebanding dengan terangnya salah. Sebagai contoh, rata-rata Lm HID diatas 2200Lm. Sementara lampu halogen hanya menghasilkan 1500Lm. bahaya aplikasi HID dengan angka Kelvin besar justru tak tembus saat hujan, Lebih aman pakai 4300 Kelvin.
Sinar dengan satuan diatas 4500 Kelvin tak mampu menembus hujan. Namun semakin rendah Kelvinnya, pancaran akan mirip dengan sinar matahari.
Demikianlah informasi mengenai Tips dan Cara Memilih Lampu HID Yang Baik yang dapat Inspirasi Dunia Otomotif sampaikan dalam kesempatan kali ini, semoga informasi ini bisa bermanfaat dan menjadi inspirasi bagi kamu.
Editor : Dian Sukmawati
saco-indonesia.com, Belum lekang ingatan kita beberapa kasus kekerasan yang bermotif politik telah terjadi di Aceh. Kini kekeras
saco-indonesia.com, Belum lekang ingatan kita beberapa kasus kekerasan yang bermotif politik telah terjadi di Aceh. Kini kekerasan yang berujung merenggut nyawa telah kembali terjadi. Seorang kader Partai Nasional Aceh (PNA), Muhammad Juwanis tewas setelah dianiaya di pos kamling, Kecamatan Kuta Makmur, Kabupaten Aceh Utara.
Korban yang juga merupakan kader dan ketua PNA Kecamatan Kuta Makmur, Kabupaten Aceh Utara sekitar pukul 00.00 WIB keluar rumah untuk membeli rokok. Akan tetapi, nahas telah menimpanya saat tiba di depan pos kamling, dua orang yang tak dikenal langsung menganiaya korban hingga tidak berdaya pada 02.30 WIB dini hari.
"Korban sudah meninggal di rumah sakit," kata Kapolres Lhokseumawe, AKBP Joko Surachmanto saat dihubungi, Kamis (6/2).
Lanjutnya, usai dalam melakukan penganiayaan itu pelaku langsung kabur yang diduga berjumlah dua orang. Sedangkan sejumlah warga yang kemudian mengetahuinya, langsung telah melarikan korban ke rumah sakit, akan tetapi nyawa korban tetap tidak tertolong.
"Kita juga sudah kantongi indentitas pelaku, sekarang sedang kita cari pelaku itu," imbuhnya.
Sementara itu, Juru Bicara (Jubir) PNA Provinsi Aceh, Thamren Ananda melalui BBM menulis meninggalnya Juwanis akibat dikeroyok oleh Zulkifli alias Abu Don Cs yang diduga juga merupakan simpatisan Partai Aceh (PA) sekira pukul 02.30 WIB di Aceh Utara.
"Innalillah wainna Ilaihi Rajiun, telah berpulang kerahmatullah Ketua PNA Kecamatan Kuta Makmur Muhammad Juwanis akibat dikeroyok oleh Zukifli alias Abu Don Cs dari PA, pukul 02.30 WIB semalam," tulis Thamren Ananda.
Editor : Dian Sukmawati
Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.
Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.
But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.
The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.
“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.
But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.
The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.
In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”
“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”
Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.
“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”
Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”
Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.
Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.
“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”
The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.
There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.
The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”